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Love in the Hamptons Goes Vertical, Filmed in East Hampton's Shacks

By GoNews Pulse Editorial Team••Updated Oct 16, 2026
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Love in the Hamptons Goes Vertical, Filmed in East Hampton's Shacks

Vertical streaming platform Shorts has teamed with Full Moon Artists Productions to produce the microdrama series *Love in the Hamptons*. Principal photography will begin at the end of this month in East Hampton, New York.

The venture marks the first vertical drama filmed on location in the Hamptons, following Shorts' recent push into niche vertical storytelling and Full Moon Artists' focus on authentic regional narratives.

The series originates from Full Moon Artists founders Sarah Moliski and Rebecca Stoughton, with writers Marc Cotter and Bilella of Water Street Films. It is described as a love letter to the East End, celebrating both its timeless and close‑knit community, while offering fresh insights into local dynamics.

Full Moon Artists was formed this year when horror producer Charles Band joined Moliski, Stoughton, Felix Merback and Eric Guilmette. Their collaboration follows earlier Shorts microdramas such as *Dungeons of Ecstasy* and *Models vs. Werewolves*, expanding the platform's genre mix.

## Background & Context

Moliski has earned a reputation as an arch‑villain actress in the vertical space, and she is among the medium’s most sought‑after casting producers. She also consults for major vertical drama apps, shaping talent and content strategy. Her work often highlights regional stories overlooked by mainstream media.

Stoughton has appeared in more than 40 vertical soap operas and dramas, while Band has moved into the microdrama arena this year. He also runs Full Moon Features, which offers access to his extensive horror catalog. Band’s move into microdrama reflects a broader strategy to diversify his portfolio beyond horror.

Shorts focuses on live‑action vertical storytelling. The partnership gives the platform a fresh narrative set in a well‑known locale, aiming to raise the standard for microdrama content. The partnership also signals Shorts’ intent to explore new storytelling formats and attract diverse audiences.

## What People Are Saying

“It’s deeply meaningful to create a series inspired by my life, my friends, and the community that raised me… There’s so much more to the Hamptons than the way it’s sometimes portrayed in our media. She said she was proud to champion the story as a local.

She also highlighted the need for authentic representation.”

“Love in the Hamptons is a bet on place and time… The entire series is shot in a world that audiences worldwide have come to adore. Letterel emphasized the series’ lasting appeal.

Letterel noted that the series will weave humor with heartfelt moments.”

“With this team and this script, I have no doubt that we’re going to deliver something truly special.” Band remarked. He noted that the script balances romance with comedic timing.

## What Happens Next

Principal photography will begin at the end of the month in East Hampton. Cast announcements are expected once filming starts. Filming will involve local crews and actors to maintain authenticity.

Shorts has not yet announced a premiere date for *Love in the Hamptons*. The platform typically releases microdrama episodes on a rolling schedule, but details remain forthcoming. Episodes are expected to release weekly, building anticipation among viewers.

This collaboration marks a milestone for vertical storytelling, blending horror production expertise with fresh microdrama talent. It may pave the way for more location‑based series in the genre. Industry observers view the project as a test case for location-based microdrama in digital formats.

With *Love in the Hamptons*, Shorts and Full Moon Artists bring a beloved locale into the microdrama spotlight. The series’ success could shape future vertical content strategies. If the series resonates, it could influence how vertical platforms approach regional storytelling and location shooting.

Why It Matters

Shorts’ move into a Hamptons‑set drama signals a strategic expansion beyond its existing niche of short, mobile‑first narratives. By partnering with Full Moon Artists, a company known for horror titles and an extensive regional catalog, Shorts gains production know‑how and local talent that can elevate the quality of its microdrama offerings. The decision to film on location rather than in studio is especially significant in a market where authenticity is increasingly prized by audiences who demand immersive storytelling on mobile devices. This collaboration also showcases how vertical platforms can diversify genre mixes—from fantasy and romance to horror‑infused drama—while maintaining the quick‑turnover model that keeps viewers engaged week after week. Industry observers view the Hamptons project as a test case for future location‑based microdrama, potentially encouraging other streaming services to invest in regional settings that resonate with local and global audiences alike. the partnership offers a blueprint for content creators to balance low‑budget microdrama with higher production values, leveraging local crews and actors to maintain cultural relevance. If successful, Love in the Hamptons could prompt a wave of “place‑first” vertical series, redefining how storytelling adapts to mobile consumption habits. This experiment could also open doors for indie filmmakers seeking to leverage local lore and small budgets while still achieving cinematic polish, thereby democratizing vertical storytelling.

Our Take

While Shorts’ partnership with Full Moon Artists may appear as another niche move, it actually represents a calculated gamble that could reshape the vertical microdrama landscape. By investing in a high‑profile Hamptons setting and aligning with a studio that brings proven horror production expertise, Shorts demonstrates that short‑form content can still be ambitious without compromising its core mobile‑first ethos. The project is also timely, as audiences increasingly crave authenticity and place‑specific storytelling that mirrors the real world they inhabit. If Love in the Hamptons succeeds, it could serve as a benchmark for other platforms to adopt location‑based narratives, encouraging them to look beyond generic studio backdrops. That said, there are risks: the cost of on‑location shooting and the need to coordinate with local crews may challenge Shorts’ efficient production pipeline. Additionally, the series must balance genre expectations—mixing romance, comedy, and horror elements—without alienating its existing fan base. Ultimately, this collaboration signals that microdrama is maturing; it is no longer a sandbox for experiments but a viable medium for sophisticated storytelling that respects both its format and its audience.

GoNews Pulse Editorial Team

This article was prepared for publication by GoNews Pulse and checked for publication requirements under our editorial standards. We review available information and correct material errors when they are identified.

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Related topics

  • #Shorts
  • #Full Moon Artists
  • #East Hampton
  • #vertical microdrama

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