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Netflix snags Kennedy Ryan’s Hoops trilogy, vows intense sports love

By GoNews Pulse Editorial Team••Updated Oct 16, 2026
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Netflix snags Kennedy Ryan’s Hoops trilogy, vows intense sports love

Netflix recently announced that it has secured the rights to develop a drama series based on Kennedy Ryan’s “Hoops” trilogy. In a competitive bidding process, the streaming giant landed the project, which is set to be adapted from Ryan’s books Long Shot, Block Shot, and Hook Shot.

The adaptation will explore high‑stakes basketball, personal healing, and intense second‑chance romance.

The project brings together a notable creative team. Adrian Dukes will serve as writer and executive producer, while Will Packer Media’s Will Packer and Sabrina Wind will co‑examine the production. Ohh Dip!!!

Entertainment—led by Chris Paul, CJ Paul, and Jacqueline Taylor—also joins the executive producing lineup, with Kennedy Ryan and Tracey Baker‑Simmons attached as producers.

## Background & Context

Kennedy Ryan is currently under a first‑look producing deal at Universal Television through her Scribe Chick Media banner. Earlier this month, Peacock ordered a series based on her Skyland novel *Before I Let Go*, which she co‑writes and executive produces.

The same month her latest novel, *Score*, the second in the Hollywood Renaissance series, hit the shelves and became a New York Times bestseller. Ryan’s representation includes CAA, Untitled, BookEnds Literary Agency, and GKSD Law.

Adrian Dukes has a solid television background. He co‑executive produced *All American* and was a producer on Prime Video’s *Motorheads*. His credits also include BET’s *The Quad*, Tyler Perry’s *Assisted Living*, and *The Ricky Smiley Show*.

He is represented by Rain and Paradigm.

Tracey Baker‑Simmons is represented by CAA and The Talent Connect. Together, the producers bring diverse experience in both sports and drama genres, positioning the series for a broad audience.

## Production Details

The “Hoops” adaptation remains under wraps regarding plot specifics and episode count. However, the series is described as a sports romance set in competitive basketball circles, intertwining personal healing arcs with high‑stakes games and second‑chance love stories.

The involvement of actors and additional crew members has not yet been announced.

Will Packer Media’s Will Packer and Sabrina Wind will handle executive production duties alongside Dukes, while Chris Paul’s Ohh Dip!!! Entertainment will contribute to the production through its core team. Ryan herself is attached as an executive producer, ensuring her narrative vision carries over into the screen adaptation.

No release date or distribution timeline has been disclosed, and further details about casting or creative direction are pending from the production team. Fans of the books and basketball drama enthusiasts can expect updates as Netflix moves the project forward.

In sum, Netflix’s acquisition of the “Hoops” series marks a significant addition to its original content lineup, combining a well‑followed literary franchise with a seasoned production crew poised to deliver a fresh sports‑romance narrative.

Why It Matters

The acquisition of Kennedy Ryan’s Hoops trilogy marks a strategic push by Netflix into the sports‑romance niche—a genre that blends high‑stakes athletics with emotional storytelling and appeals to both basketball aficionados and broader drama audiences. By landing this project amid a competitive bidding landscape, Netflix signals its intent to deepen its original content library with narrative‑rich, character‑driven series that can anchor long‑term viewer engagement. For the industry, the move showcases a growing trend of streaming platforms investing in literary adaptations that already possess built‑in fan bases, thereby mitigating development risk while offering fresh creative directions. The involvement of experienced creators such as Adrian Dukes—known for his work on *All American*—and Will Packer Media further positions the series to resonate with contemporary audiences accustomed to polished, fast‑paced sports dramas. the project underscores a broader shift toward female‑led stories in sports media, aligning with ongoing calls for diversity behind and in front of the camera. Fans of Ryan’s books will likely anticipate a faithful yet cinematic translation, while casual viewers may be drawn by the promise of dynamic basketball action coupled with romance. Overall, this development could strengthen Netflix’s competitive stance against other streaming giants while expanding representation in sports storytelling.

Our Take

Netflix’s decision to adapt the Hoops trilogy is a calculated bet on proven property and genre crossover appeal, but success hinges on balancing authenticity with mainstream accessibility. The series must avoid turning the nuanced healing and second‑chance romance of Ryan’s work into a generic sports cliché. By leveraging Adrian Dukes’ seasoned background in teen and sports dramas, Netflix has a strong chance to capture the emotional core of the books while delivering high‑energy basketball sequences that satisfy both diehard fans and casual viewers. However, without a clear release schedule or cast announcements, momentum could stall; transparency and timely marketing will be critical to maintain audience interest. If executed with sensitivity to the original narrative and a thoughtful casting strategy that reflects the sport’s diversity, the Hoops adaptation could become a benchmark for literary‑to‑screen sports romances. Conversely, a misstep—such as a rushed production or shallow character work—could render the series forgettable in an oversaturated market. The project is worth watching, not only for its potential to enrich Netflix’s portfolio but also for its chance to elevate female voices in sports media.

GoNews Pulse Editorial Team

This article was prepared for publication by GoNews Pulse and checked for publication requirements under our editorial standards. We review available information and correct material errors when they are identified.

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